Movies
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Eleven years ago I bought a brand new camera for more money than I had and set out to make some movies. Inspired by companies like InDigEnt and films like Pieces of April and November I was certain I was on my way. Sadly I was wrong. Poor me. Anyway, after setting up a project
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Below is my latest video. It has taken longer to put together than I would have liked but I am pleased with the result. This is a sequel (of sorts) to a short I made called “The Gypsy Curse that Done Me Wrong”. You can see that here.
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Today I read an article on the Filmsupply blog – https://blog.filmsupply.com/articles/operation-avalanche/9 It is mostly an interview about the film, Operation Avalanche, that delves into the technical aspects of how they made the movie. I won’t spoil those details here other than to say their workflow was unusual. In order to properly emulate the look of
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If there is one question I have struggled with it is, “What is your favorite film?” Granted, this question is nowhere near as important as: “How do we achieve world peace?” or “How do we stop global warming?” but then people never seem to ask me either of these. So recognizing the proper ranking of
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Where I attempt to say something about the nature of awards seasons and focusing on acquisition formats.
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It pains me to write it but for eight years I did not have much of an appreciation for the work of Wes Anderson. Shortly after viewing The Life Aquatic with Steve Zissou I felt that Mr. Anderson had begun to engage in a form of filmic navel-gazing. I was not alone in having this opinion and
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I will be the first to admit that my love for Steven Soderbergh is waning. I could write an entire post about where I think it started to go wrong, about why it started to go wrong and if it could ever be made right again. Someday I might and perhaps one person might read
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A post where I reconsider my idea of George Lucas.
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Rotten Tomatoes Freshness Meter: Critics – 44% Audience – 47% What You Should Know The Green Hornet had the misfortune of a very poor trailer. The information the audience is given is, in fact, largely inaccurate. Couple that with segments that move fast enough to almost blur and it is little wonder that people
The Writings of John Ryan Sullivan 