Interviews
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(I discovered today that I only shared this on Medium.com which I stopped using in 2017. So, yes, this is old but it’s one of the few times I’ve been able to interview people regarding their film work – and have a record of it! – that I can share. So here goes…) This interview
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(I discovered today that I only shared this on Medium.com which I stopped using in 2017. So, yes, this is old but it’s one of the few times I’ve been able to interview people regarding their film work – and have a record of it! – that I can share. So here goes…) This interview
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Today I read an article on the Filmsupply blog – https://blog.filmsupply.com/articles/operation-avalanche/9 It is mostly an interview about the film, Operation Avalanche, that delves into the technical aspects of how they made the movie. I won’t spoil those details here other than to say their workflow was unusual. In order to properly emulate the look of
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It’s unfortunate that we don’t live in a time now where a polarizing film is a positive. Like in the ’70s, if you made a film like Straw Dogs, and half the people hate it and half the people think it’s a masterpiece, that’s viewed as cool. Now it’s not. Now if you don’t get unified
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You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do—and they don’t. They have prejudices. They may like Henry James, but what if you don’t want to write like Henry James? They may like John Irving, for instance, who’s the



